Memories 2

Memories 2

This is another page devoted to some memories of Swalwell in the post war period up to the 1960s. There is a section on radio and TV broadcasts of the period and the rest is mostly childhood memories.


Find a biography of a radio or television personality from the 1950's or later listed alphabetically by surname.

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Like people everywhere else, Swalwellers listened to the radio and watched TV. Until the BBC began broadcasting from its new Pontop Pike transmitter in time for the Coronation in 1953, radio was the only form of broadcast news and entertainment available locally.* Radio broadcasting began from Newcastle with the BBC in 1922, using a new transmitter at Stagshaw Bank from 1937, and after the Second World War there were three programmes, the Home Service, the Light Programme (which began in July 1945) and the Third Programme. The Home Service was the main source of news, factual programmes, talks, plays, sport and the arts and other fairly serious content, while the Light was, as its name suggests, the source of light entertainment - comedy, light and popular music, record-requests and similar output. The Third was devoted to classical music, plays, talks and other so-called 'highbrow' features.

* Before Pontop Pike opened it was just possible to receive TV transmissions from the BBC's Holme Moss transmitter, serving the Manchester area, but reception was poor.

We had the North Home Service on Tyneside which actually meant Manchester with a few programmes broadcast from the BBC's Newcastle studios in New Bridge Street. Unfortunately the North East had lost its own frequency in 1945, from which time it shared with Belfast. This meant a stream of Irish sports, music and news broadcasts and a regular Irish comedy show about a Belfast family written by actor Joseph Tomelty and called The McCooeys broadcast on Saturday evenings. Despite protests we endured this situation for many years although we did have our own popular show in 'Wot Cheor Geordie', introduced by Esther McCracken and featuring local comedians Bobby Thompson and Dick Irwin among others. This unhappy arrangement (sharing a frequency with Northern Ireland who of course also had to listen to programmes about the North East, Cumberland and Westmorland) continued until 1963 although by then we had got our own frequency on VHF (FM) when VHF transmissions began in the 'fifties. By this time the Third Programme had become Network Three and soon afterwards the pirate radio stations appeared which were to change popular broadcasting and lead to the introduction of the BBC's Radio One.

Commercial radio began in the north east in 1974 when Metro Radio started broadcasting from its studios here in Swalwell (it has now moved to Newcastle) and other stations followed. Meanwhile, the BBC had introduced Radio Newcastle back in 1971 and virtually their whole broadcasting operation moved to new premises in Barrack Road, Newcastle in 1987. Radio Luxembourg and the American Forces Network were also heard in Britain. Luxembourg on the 208 medium wavelength, featured Hughie Green's Double Your Money, and Basil Rathbone and Nigel Bruce as Sherlock Holmes and Doctor Watson. An often-heard commercial was for the Horace Bachelor Infradraw method of picking the winners for the football pools, with the voice which told us to send our name and address to Keynsham, with K E Y N S H A M being spelled out, irritatingly, when you had heard it a few times! This station broadcast a lot of DJ shows with the new rock and roll music of the fifties. American Forces Radio broadcast a lot of pop music too, but of course with a lot of US news, baseball commentaries and the like.

Although the BBC was a national broadcaster there was little mention of provincial towns and cities or rural areas outside the home counties unless it was in connection with an important news event. As far as the north-east was concerned it was rare to hear it mentioned. Exceptions were programmes which were broadcast from a different place each week, like Have A Go!, Down Your Way or Worker's Playtime.

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Radio Times

Some early post-war Radio Times covers are shown. The first three depict: Durham cathedral; Dick Barton, left, (played by Noel Johnson); and the second Mauretania.

The second group shows: P.C. 49 (played by Brian Reece with Joy Shelton); the Take It From Here stars), Jimmy Edwards, Joy Nichols and Dick Bentley); and bottom, Wilfred Pickles; and the Cup Final, Arsenal v. Newcastle United with captains Joe Mercer and Joe Harvey.

The third group are: Dick Irwin in Wot Cheor, Geordie!, (broadcast from Newcastle); United Nations Day, October 24th; and actress Yvonne Arnaud.

The final group are: A Christmas Eve programme, Amahl and the Night Visitors; Holiday Hour, which was a trip from Berwick to Land's End by bus in ten episodes; and the Cup Final, Manchester city v. Newcastle United with captains Roy Paul and Jimmy Scoular.

Durham Cathedral.Noel Johnson (left) as Dick Barton. The second Mauretania.
Brian Reece as P.C. 49, with Joy Shelton.Take It From Here stars, Jimmy Edwards, Joy Nichols and Dick Bentley, and bottom, Wilfred Pickles.The Cup Final, Arsenal v. Newcastle United with captains Joe Mercer and Joe Harvey (front).
Wot Cheor Geordie. United Nations Day. Actress Yvonne Arnaud.
Amahl And The Night Visitors, broadcast on Christmas Eve.

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Holiday Hour, a trip from Berwick to Land's End by bus in ten episodes.The Cup Final, Manchester City v. Newcastle United with captains Roy Paul and Jimmy Scoular.


Radio programmes from the late 'forties and 'fifties included Ray's A Laugh, Educating Archie, Take It From Here, Much Binding In The Marsh, Dick Barton, Life With The Lyons, The Goon Show, Housewives Choice, Music While you Work, Have A Go, Down Your Way, Workers' Playtime, Top of the Form, Saturday Night Theatre, Paul Temple, PC 49, Journey Into Space and those stalwart soaps (though we didn't call them soaps then), Mrs Dale's Diary and The Archers. On a Sunday dinner time it was time for Two Way Family Favourites or the Billy Cotton Band Show, while at five o' clock on a Saturday teatime the familiar strains of the music 'Out of the Blue' heralded Sports Report which for many meant the football results and checking their football coupon to see whether the fabled £75,000 was theirs at last. The North East was not forgotten. On Wednesday 27 October 1954 a serial called The Lost Silver Of Langdon, a play about Teesdale and the High Fells by Winifred Finlay, a Newcastle children's author, was broadcast. While on Sunday 12 December 1954 a programme in the series Famous Northerners featured a dramatised version of the life of the engraver Thomas Bewick.


BBC Television started the day in its early years with an early afternoon programme for young children and then went off the air until around 5 PM when children's television began, after which it again closed down until 8 PM when the evenings' programmes began. Sometimes sport (the Test Match) was screened live in the afternoons. When Tyne Tees Television appeared early in 1959, actually on Thursday 15 January, broadcasting on Channel 8 the BBC had a rival. Tyne Tees introduced more popular programming including several shows from the USA, though the BBC had some American programmes too. These early commercial TV shows included: The Adventures Of Robin Hood, No Hiding Place, Sir Lancelot, Sunday Night At The London Palladium, Take Your Pick, Armchair Theatre, Thank your Lucky Stars, Emergency - Ward 10, The Avengers and Danger Man. From America we got Highway Patrol, Cheyenne, Wagon Train, Rawhide, Maverick, Have Gun - Will Travel, Hawaiian Eye and 77 Sunset Strip. It seemed that Tyne Tees presented mostly 'popular' programming with little art, current affairs or other programmes with a more serious content.

The Tyne-Tees studios were on City Road in two converted warehouses and the transmitter was at Burnhope in County Durham. They produced not only news but light entertainment, sport and other programmes such as Face The Press, The One O'Clock Show, Sports Desk, and North-East Roundabout. The commencement of programmes each day was preceded by a piece of music especially written for Tyne Tees by Arthur Wilkinson, called Three Rivers Fantasy. It consisted of a medley of folk songs, namely, Bobby Shaftoe, The Keel Row, Water Of Tyne, the Blue Peter (the Tyne Tees 1960s jingle with an animated anchor background) and ending in the Blaydon Races.

The BBC introduced a second channel here in 1966, BBC 2, the first channel to be broadcast in colour. Channels 4 and Five followed much later, in 1982 and 1997 respectively. When you first got a TV you tended to watch everything for a few days, no matter how uninteresting, until the novelty wore off.

TV Programme Developments

BBC television shows of the 'fifties were The Lone Ranger, The Range Rider and The Cisco Kid from the USA, All Your Own (a magazine programme featuring children with a particular talent or hobby, introduced by Huw Wheldon) and Armand and Michaela Denis's wildlife programmes, all for children. The Appleyards was a children's serial, the title referring to a family of that name. Blue Peter and Crackerjack came later.

For the adults there was Fabian Of The Yard with Bruce Seton, Quatermass with Andre Morell (a science fiction serial), What's My Line chaired by Eamonn Andrews with four panellists trying to determine the contestant's occupation, Stranger Than Fiction (curiosities from around Britain, shown every Sunday evening), Tall Story Club (in which each of four celebrities told a story and the others had to decide whether it was true) and They Come By Appointment, a drama about a psychiatrist and his case book.

The Grove Family was the first BBC television soap, about a family living in London (naturally) and dated from the fifties. Other early soaps were Compact and The Newcomers, all in the late fifties or early sixties. Barry Bucknell had his do-it-yourself show and Percy Thrower was the TV gardener. Current affairs were covered by Panorama, as now, and from 1958 the arts were covered by Monitor, (Huw Wheldon again), introduced by Swedish composer Dag Wiren's catchy music, Serenade For Strings. John Freeman's 'in depth' interviews in Face to Face were something new, as was University Challenge with Bamber Gascoigne. The news was read from Alexandra Palace, and Sylvia Peters and MacDonald Hobley were two well known announcers. The news barely lasted ten minutes and there was little in the way of filmed coverage or any reporting in the fifties.
Sport was covered weekly in Sportsview introduced by Peter Dimmock. Outside Broadcasts became increasingly common, especially in sport, the 1955 Cup Final between Newcastle United and Manchester City was a highlight. American series included The Phil Silvers Show (Bilko), The Burns and Allen Show, I Married Joan, Amos 'n' Andy and Hey, Jeannie, all from the 'fifties. The magazine programme

Tonight first screened in 1957 and ran for many years with such stalwarts as Cliff Michelmore, Geoffrey Johnson-Smith, Julian Pettifer, Derek Hart, Polly Elwes and Kenneth Allsop and with reporters Alan Whicker, Fyfe Robertson,see picture, and Trevor Philpott not to mention Robin Hall and Jimmy McGregor who together with Ewan McColl sang topical songs.

Few films were shown then, as Hollywood and the British film industry considered television to be a huge threat and would not allow many of their pictures to be aired, but later the US studios began to produce their own shows for television and, eventually realising that they had to co-exist with TV, released large batches of old films for transmission, as did the British studios. There may also have been a reluctance at the higher levels of the BBC that they didn't want their TV service to become a medium for showing films.

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Picture Parade kept us up to date with the new releases and was introduced on TV by Peter Haigh with a signature tune by Jack Beaver (1900-1963) reminiscent of the big orchestral film scores of that period. A big drawback until the advent of colour television, was that all pictures made in colour appeared in black and white on TV. By the late 'fifties programmes were starting earlier in the day and there were no gaps in the evening schedules. The former 6 PM to 7 PM gap was known as the 'toddler's truce', when parents could put their young children to bed and it ended in 1956.

Schools broadcasts appeared, and outside broadcasts other than for sporting events were increasingly common. Filming was expensive and so most programmes, even plays, were done live in the studio, and there were occasional disasters such as scenery falling over or embarrassingly, actors fluffing or even completely forgetting their lines and you could sometimes hear the prompter in the background. What was remarkable about the live broadcasts was how often everything went right. Plays had intervals and towards the end of the interval a bell would ring to warn viewers to resume their seats. Live programmes, usually from the Lime Grove studios, gave way to telerecordings, a system preceding video.

The BBC moved to new White City studios in the early sixties and both TV and radio became more professional and slicker, and technical improvements both at the studio and in the television sets at home meant that the fairly frequent breakdowns or fiddling with the set to get the picture to keep steady, became a thing of the past. In the sixties television (and radio) began to change with more daytime TV programmes, bigger budgets and the 'golden age' of popular programmes arrived with almost every home having a TV set.

The documentary arrived in a big way and investigative programmes together with factual dramas like Cathy Come Home which examined social problems, had an impact beyond the television screen. Satire in the form of That Was The Week That Was began to break down the barriers of what was acceptable to broadcast and censorship was relaxed. Radio began to be more a medium for listening to news, sport and music rather than comedy, drama and documentary and the transistor brought us mobile radios and for some, car radios.

Because of television and changing social habits stemming from a wider choice of available entertainnment, visiting the cinema was no longer a twice weekly experience and filmgoers became more selective in what they went to see, but with Ben Hur, West Side Story, The Sound Of Music, Dr Zhivago, Lawrence Of Arabia, Spartacus and other such films attracting big audiences. Television was something affecting the lives of all and a whole new generation was growing up under its influence like no generation had before it.


In the 21st century local broadcasting still exists, with the BBC's local radio stations including Radio Newcastle and commercial radio broadcasting locally. Local television, however, has suffered a major decline. The BBC has a limited output of programmes with a local content, but Tyne Tees Television, particularly since its move from City Road studios on 2 July 2005, is a mere shadow of its former self with a small news and weather studio and no big studio or facilities for producing its own shows like The Tube or The One O'Clock Show. There is no filmed drama either, such as the series of Catherine Cookson adaptations of recent memory. Concern has been expressed in the press about this (2009). Continuity announcers are largely a thing of the past too. Tyne Tees is now located in the Watermark business park west of Gateshead on the banks of the Tyne near the Metro Centre. The ITV regional companies, including Tyne Tees, which once had such strong local identities, have been largely incorporated into a national ITV brand.

Local television news on both channels has also broadened its geographical coverage to embrace North Yorkshire, and from 2009 the old Border TV areas of Cumbria and parts of South West Scotland, while the BBC has always covered Cumbria as well as the north east, and now North Yorkshire too. Coverage moves ever southwards, Scarborough and Hawes are the most distant noted. The phrase 'our region is used on both channels to describe this vast area when our region ought to comprise only Northumberland and Durham plus Middlesbrough. This has lessened the impact of local news or at least the viewer's identification of local TV with the north east. Northumberland and Durham nevertheless comprise England's most distinctive region and are, I think, badly served by both TV and radio.

Mike Neville, stalwart one-time anchorman of both BBC and Tyne Tees, has retired, and while the BBC have stuck to one main presenter for its evening news programme Look North (with Carol Malia or one of the other presenters, and there are now a variety of presenters). Tyne Tees now have co-presenters, a kind of double act which tends to give a light-hearted feel to the news. Tyne Tees had an excellent weatherman in Bob Johnson*, now retired from that positon, and his appearances with Mike Neville were a highlight of the news for many, as were George House's (on BBC Look North) at one time. The BBC has another Scot as weatherman in Paul Mooney with the personable Trai Anfield (also Scottish) and Hannah Bayman also appearing less frequently ( both have now left). For a while following the departure of Bob Johnson the Tyne Tees weather forecast came from a studio in Leeds, and then Philippa Thomson did the weather, but other presenters have followed, though it still quite often comes from Leeds. While the news content of both channels often features local accents in its reports, the obvious mimicking of Southern English pronunciation by those presenters who belong locally contrasts with the Scots who retain their own accents, and this, together with the often southern pronunciation of local place names, is another negative aspect of local broadcasting.

*Bob Johnson retired on 19 December 2008.

Tyne Tees recently celebrated its 50th anniversary but it was rather a muted affair. After the 6PM local news each day, clips from each decade of Tyne Tees programmes were shown for about 5 minutes. A better record of the station's achievements is to be found in a book published in 1998, 'Memories of Tyne Tees Television' by Geoff Phillips. It includes reminiscences from both on- screen and off-screen staff and many photographs together with pages from The Viewer giving programme listings from earlier days.

Tyne Tees merged with Border TV from February 25th 2009 and was now known as ITV Tyne Tees and Border Service. The news bulletins for the north east included items from Scotland (Dumfries and The Borders) for a while,making the news even less local to Tyne Tees area viewers.This development has now ceased but we have news from North Yorkhshire as well as Northumberland, Co Durham and Teesside. There has also been a re-shuffling of on-screen personnel.

For some interesting details of Tyne Tees Television in the City Road days see Tyne Tees TV City Road and A History of Tyne Tees TV.

Radio and Television and records - more memories

Radio and TV manufacturers were many in the immediate post war years.Your could choose your radio or TV from a variety of makes, do you remember .....

Defiant; D.E.R. (a rental company); Bush; Cossor; Ekco; Ferguson; Ferranti; GEC; HMV; McMichael; Murphy, Philips; Pye; Regentone and Ultra.

In the 1950s portable valve radios became popular, powered not by the slimline batteries of today but by a single large heavy battery from Ever Ready or Vidor. It was not until the 1960s that the transistor set was introduced and they got smaller and smaller. Radiograms were another alternative, combining a radio and a gramophone in a large wooden console. Some of the gramophones had an autochange to change the records automatically and by the 1950s were beginning to be called record players as 78 rpm records gave way to the 45 and 33 rpm discs and the long-playing record or LP took off. The Top Twenty began to dominate record programmes on radio and the rock and roll era had begun. Who remembers seeing Glenn Ford in The Blackboard Jungle which featured Bill Haley and his Comets playing Rock Around The Clock around 1955?



At the top of Napier Road about 50 years ago was a piece of waste ground known as the marble square, marbles being a popular pastime among schoolboys at the time. Marbles were also played before and after school on a narrow strip of earth in front of the school wall in Crowley Road. You could have glass marbles, the best, including glass alleys; iron ponkers, like large ball bearings; or small clay ones, much despised. Games of marbles had names like 'hitty once',' bets' and 'killer'. In the first of these players took it in turn to try and hit their opponents marble and so win it. Bets was a game in which you 'bet' your opponent a certain number of marbles that he could not throw an even number of marbles into a small hole scooped out of the earth, holding the marbles in the palm of his hand. He had to cover the bet with an equal number of marbles to those bet and if an odd number went into the hole he lost. The game killer was much more interesting and had quite elaborate rules. There were three small holes made in the ground in a straight line, each about 2 feet apart, and two or more players would take alternate turns at flicking their marbles at the holes with their thumbs, going from one hole to the next in a predetermined sequence governed by fairly elaborate rules compared to the other games. A hole could be poisoned and if your opponents marble then went into that hole it was lost. There were expressions like 'tibby to carry', which meant an extra shot to be taken when you chose, and was awarded when you hit two marbles with yours on the same shot. 'Everys (or Ivvories)' and 'nowts' were other expressions but precisely what these terms meant I cannot recall. But I think crying 'everys' meant that you could take your shot freely with no restrictions, while if an opponent shouted 'nowts' it meant that restrictions were imposed on your shot. Buttony was not surprisingly a game played with buttons, and was briefly popular but was not something played every summer like marbles. There was also a game played with small stones, called 'chucks' in which the object was to catch the stones on the back of your hand, and another one played with ice lolly sticks where you had a pile of sticks which had been thrown up in the air and you had to remove all the sticks one by one without disturbing the pile.

Other Games

Girls would play with skipping ropes chanting rhymes as they skipped. A form of hopscotch called bays was another girls game, a grid was chalked on the pavement and the squares numbered, with the top marked London Zoo and an empty tin of furniture polish was kicked around from square to square as you stood on one leg. If the tin came to rest on the chalk line you lost your turn. Tuggy, hide and seek,- and a variation called blocky,- montekitty and hallalevo (hallas) were some other games, the last two were quite rough. In montekitty one player stood with back to the wall (the 'pillar') and the next player on that team bent over with their head in the stomachs of the first, the other team members also bending over and gripping the legs of the person in front to form a row of backs onto which the other team would then take a flying leap and land as far up the line of bodies as possible! In hallalevo there were two teams, the first had to catch their opponents and hit them three times on the back to catch them, when they were held or penned together taking no further part in the game unless one of those still at large could release them when they would have to be caught all over again. Eventually only one quarry remained and the only chance of avoiding capture was to lie on your back and try to prevent the others turning you over. Finally a game with pocket knives called 'sticky stab' where the knives were thrown at a target drawn on the ground on the soil. Knocky-door-neighbour was simply knocking on a door and running away before anyone could answer.

See the excellent books: Children's Games in Street and Playground; Children's Games with Things; The Singing Game, by Iona and Peter Opie for lots of information about children's games of the past from al parts of the country including the North East.

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A few boys were the lucky owners of their own personal transport. This was a contraption known as a coiner, coin being a Geordie* word meaning to turn. Two pairs of old pram wheels were fixed in axles bolted to a wooden chassis, the front axle being pivoted and a rope tied to the ends of the axles which could then be pulled to turn the vehicle. Coiners could be pulled along behind to carry things, or you could sit in them and they could be pulled by another boy, or best of all you could sit in them while they ran down a hill, steering with the ropes. Some kids graduated to bikes eventually and these would often be ridden through the maze of paths in the gardens (allotments) over the Keelmans Bridge and the Hikey Bridge (pictured below), or down to Derwenthaugh from where there was a path alongside the railway embankment almost to Dunston and often covered by pools of stinking water which you could splash through. Or you could go west along the River Tyne bank to Blaydon 'spike', the area of Blaydon north of the main railway line called Blaydon Haughs.


Fishing with a net for sticklebacks 'up the forge' was a summer holiday pastime, the water wasn't very clean and the fish did not survive long after being taken home and put in an old enamel washing up bowl with tap water. Tadpoles went the same way. Someone at the forge kept pigs and if they got into the stream they churned it up and you had no chance of catching anything. The Dam Head was popular earlier in the last century but not after the war, though it was sometimes visited. The twelve score was the area underwater north of Millers Lane, now drained and occupied by the supermarket and other shops at the Metro Centre. Boys would go there looking for birds nests and eggs and sometimes for bullrushes.


* For our 'foreign' readers, a Geordie is a person who comes from Tyneside, sometimes also applied to anyone from the north east of England. Geordies have their own distinctive dialect and accent, even if they don't always speak it. A short but fairly comprehensive glossary of words and pronunciations in the Geordie dialect is shown below. There are variations the further north or south you go from Newcastle, ie.anywhere between Berwick and Middlesbrough.

  • aad - old
  • afore - before
  • aheed - ahead
  • ahint - behind
  • bairn - child
  • bait - meal taken to work, usually sandwiches. A pitman's term
  • borst - burst
  • bray - hit or beat
  • broon - brown, or Newcastle Brown Ale
  • bubblin' - crying
  • bullets - sweets
  • caad - cold
  • canny - really nice, pretty good, enjoyable
  • canny few - quite a lot of something (there'll be a canny few at the match today)
  • cheaste - taste
  • claggy - sticky
  • clamming - starving for want of food or drink
  • clarts - mud
  • clivvor - clever
  • coo -cow (rhymes with flue)
  • coin - turn
  • cowp - overturn
  • cuddy - horse
  • cyek - cake
  • divven't - don't (this becomes dain't in South Shields and won't is wain't)
  • dorsen't - daren't
  • dunch - to collide with
  • elwis - always
  • eytt - eight
  • femmer - fragile
  • fettle - condition (what fettle? - how are you?)
  • forst - first
  • fowwer - four
  • frozzen - frozen
  • gadgie - someone in charge, a (usually minor) official, eg a railway gadgie
  • gan - go
  • gan canny - take it easy
  • ganny - grandmother (or any old woman)
  • give ower - stop
  • gowk - apple core
  • haad on - hold on
  • hacky - dirty
  • hadaway - get away
  • how man, hey man - be careful what you're doing, for example, shouted when someone makes a bad pass in a football match
  • howay - come on
  • howk - to dig
  • hyem - home
  • hoy - throw
    also - on the hoy - a drinking spree
  • impittent - impertinent
  • knaa - know
  • kepp - catch, as a ball
  • liggies - marbles
  • lop - a flea
  • losser - lost, as in 'it's a losser', the ball is lost
  • lowse - finish work, end of shift
  • malakaise - beat severely, hurt badly
  • mackem - a person from Sunderland
  • marra - mate, friend
  • mebbies - maybe
  • mek - make. This contrasts with the Mackem word mak (and tak, make and take)
  • morder - murder
  • mortal - very drunk
  • na - no
  • nee - not any, none
  • nenn - none
  • netty - a toilet, originally an outside one
  • nigh on - almost
  • ower - over,( it's ower far to go)
  • owt - anything
  • oxter - armpit
  • pitchas - the pictures, cinema
  • pit powny - pit pony
  • plodge - wade, as in the sea
  • polatic - even more drunk than mortal
  • polis - policeman, the police
  • pund - a pound (weight or Sterling currency)
  • raa -to row, a boat or a row of houses)
  • roond - round
  • sivven - seven
  • tabs - cigarettes (Ogden's Tabs was an early 20th Century brand of cigarettes)
  • tek - take
  • thorsty - thirsty
  • tight-a-hold - a tight grip, (keep tight-a-hold of my hand)
  • toon - town, (The Toon - Newcastle United Football Club.)
  • up-a-height - up-over, in the air, (kick it up-a-height)
  • uz - me (giv'uz a hand)
  • varnigh - very nearly
  • walk - work
  • waalk - walk (There was nee bus so he waalked to walk)
  • wah - our, or we are (wah Geordies man)
  • wuh - we (wi wuh -with us, wuh'll - we'll)
  • whe? - who? (whe was she whee? - who was she with?)
  • whee, or whe? - with or who?
  • willick - a winkle (shellfish)
  • win - with (are ye gannin' oot win wor lass)
  • wuh - us (whe's gannin' wi wuh, who's going with us)
  • whey aye - yes, of course
  • wor - our
  • workie ticket - nuisance or troublemaker (supposedly originated from men wanting to obtain their discharge papers (ticket) from the Forces after the last war and who would thus misbehave or work their ticket in order to obtain a quicker de-mob. Hence, working your ticket, being awkward). BUT, in a 1944 British comedy film 'Dreaming', the phrase 'Working his ticket' is spoken by a character to a soldier in hospital. 'Trying to work his ticket, swinging the lead.'
  • wor lass - the wife (also wor kid, a brother or sister; wor cat; our cat; etc.)
  • ye - you
  • yis - yes

An excellent recent publication is 'A Dictionary of North East Dialect' by Bill Griffith, published by Northumbria University Press.

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